The biography of zeno constance van

Constance is the author of several scripts in the Banana Boat production repertoire and his work has, for over fifty years, helped to correct many of the misconceptions frequently presented to the outside world about Caribbean people.

Zeno Obi Constance is

In honoring Mr. Constance, we were also celebrating the vibrant and culturally significant theatre making tradition throughout the English speaking Caribbean, which is largely unknown in the U. Constance has to his credit over 20 stage plays, many of which have been performed extensively throughout the Caribbean region and the diaspora.

The Ritual has become required reading for students of English and Drama at both the university and high school levels throughout the Caribbean. Among his numerous national and regional awards are the Vanguard Cacique Award for his contribution to theatre at high schools in Trinidad, The National Council Playwriting Award for Duelling Voices and The Trinidadian Ministry of the Arts and Multiculturalism Award for his lifetime achievements as both a playwright and director.

The tribute explored Mr. Thanks to the generosity of The Puffin Foundation for making the evening a big success. Our operating premise is this: the Caribbean culture is a multicolored and rich palette of expressions, experiences, and lifestyles that is in need of more exposure in the realm of truly meaningful theater. BBP seeks out plays that focus on dramatic themes that reflect the historical and cultural development of Caribbean life as well as the present reality of Caribbean culture as it has settled into other global settings.

We bring thought-provoking and realistic theatrical experiences to people who can identify, reflect upon, and appreciate the relevance to their own lives. In this context, our productions can be seen as experiential instruments to promote a greater elaboration, a deeper understanding, and more respectful view of oneself, in this case, a Caribbean self.

Efforts are made to maintain and illustrate the expressive phrasing and the tightly efficient nuances of Caribbean language, while making it accessible to all audiences. The background themes of some of the plays in which the dramatic elements unfold include 1 the issues of assimilation into broader ethnic cultures and the inter-generational conflicts that ensue, and 2 the lingering adjustments to post-colonial life as illustrated by deference to lighter skin color.

We put great emphasis in utilizing artists from every English-speaking Caribbean island.